Concerning the Spiritual in Art: Lecture at the Tang on April 14

Thursday, 4/14 at 7:30 p.m.

Nikki A. Greene, Ph.D.

Concerning the Spiritual in Art: The Substance of Abstraction

On abstraction, music and painting in the works of Moe Brooker, Beauford Delaney & Alma Thomas.

Alma Thomas-Nikki Greene

Nikki A. Greene before Alma Thomas, Wind, Sunshine and Flowers, 1968. Photo by Jean Egger for the Tang Teaching Museum, Skidmore College, Saratoga Springs, NY, 2016.

Tang Teaching Museum at Skidmore College

The exhibition Alma Thomas is currently on view at the Tang Teaching Museum and is curated by Ian Berry, Dayton Director of the Tang Museum and Lauren Haynes, Associate Curator, Permanent Collection at the Studio Museum, New York. 

Alma Thomas remains at the Tang until June 5. The show opens at theStudio Museum in Harlem on July 14.

Please join us!

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Black Portraitures II: Revisited @ NYU | Feb. 19 & 20

Black Portraitures II: Revisited is already sold out!

That speaks volumes to the importance of this series of conferences spearheaded by Dr. Deborah Willis. To say that the Black Portraiture{s} II Conference that took place in Florence, Italy (May 28-31) was phenomenal does not quite capture the artistic and intellectual vibrancy–chemistry really–of the dynamic scholars and artists that gathered there. Dr. Willis is the University Professor and Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University. She and her wonderful team of staff members from NYU, Harvard University, the Studio Museum in Harlem, among other institutions, executed a seamless conference experience from beginning to end.

BlackPortraituresII_revisited_2

What an honor to be able to present again in New York on a fantastic panel of scholar-performers!  Out of Body: Composing Blackness through Sound, Music, and (Performance) Art with Matthew D. Morrison, Kwami Colemanand Imani Uzuri, moderated by jazz musician Hank Thomas, was one of my most fulfilling professional panels of my career.  Our panel this weekend will offer some new points of engagement for our audience with Jeff Rabhan of the Clive Davis Institute at NYU as our moderator.
Get yourself on the wait-list. We hope you can make it. The conference will also be broadcasted live. Be sure to keep on Twitter with #BlackPortraitures. For the full schedule, see: Black Portraiture[s] Program – Feb 19-20
A heartfelt THANK YOU to Dr. Therí A. Pickens, who offered her take on our previous panel in her blog post, “Scholar Fierce: Doing Dilettante as a Scholar.” Dr. Pickens’s gracious remarks include:

During this panel, I felt like I learned some pretty basic stuff about jazz (how to listen), black figures in classical music, and how to read art (whether sung or materially crafted). In those moments, worlds opened up. I don’t want to overstate the case by saying that the earth moved. However, the tectonic plates of knowledge I have (which tend to move slowly) quaked and changed the terrain of my knowledge… just a bit. 

C’mon, now. THAT has to convince you to check us out!

Out of Body: Composing Blackness Through Sound, Music, and (Performance) Art. 

February 20 at 9:30 a.m.-11 a.m:  NYU’s School of Law, Vanderbilt Hall, Tishman Auditorium. 40 Washington Square South, New York.

By listening to and engaging sonic histories and performances of blackness, this panel seeks to complement/complicate visual representations of blackness in Western art, as we consider how sound is articulated from, outside of, and onto (black) bodies through art, music, and performance. (Dis)Embodied acts of improvising and composing (of sound and identity), the “spirit” of sound, and the politics of (black) sound’s reception and circulation, will be themes that run throughout this panel.
Out of Body Panel
Kwami Coleman, Nikki A. Greene, Imani Uzuri, Matthew D. Morrison, and moderator Hank Thomas. Black Portraitures II Conference, May 30, 2015. Photo by Deborah Jack.

Black Portraitures II: Out of Body: Composing Blackness through Sound, Music, and (Performance) Art

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To say that the Black Portraiture{s} II Conference that took place in Florence, Italy (May 28-31) was phenomenal does not quite capture the artistic and intellectual vibrancy–chemistry really–of the dynamic scholars and artists that gathered there. Such an honor to have known Dr. Deborah Willis, her artistic work and scholarship on photography for so many years. Dr. Willis is the University Professor and Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University. She and her wonderful team of staff members from NYU, Harvard University, and other sites, executed a seamless conference experience from beginning to end.

Nikki A. Greene and Deborah Willis

Out of Body: Composing Blackness through Sound, Music, and (Performance) Art with Matthew D. Morrison, Kwami Coleman, and Imani Uzuri was one of my most fulfilling professional panels of my career. Moderated by jazz musician Hank Thomas, the description of our panel is as follows:

By listening to and engaging sonic histories and performances of blackness, this panel seeks to complement/complicate visual representations of blackness in Western art, as we consider how sound is articulated from, outside of, and onto (black) bodies through art, music, and performance. (Dis)Embodied acts of improvising and composing (of sound and identity), the “spirit” of sound, and the politics of (black) sound’s reception and circulation, will be themes that run throughout this panel.

Really, when you have a “spare hour,” hear us talk about our passion surrounding music. The whole panel was phenomenal (if I do say so myself). You won’t regret it. My paper “Facing the Music: Radcliffe Bailey, Sun Ra, and the African Diasporic Body” begins around minute 32. A heartfelt THANK YOU to Dr. Therí A. Pickens, who offered her take on our panel in her blog post, “Scholar Fierce: Doing Dilettante as a Scholar.” Dr. Pickens gracious remarks include:

During this panel, I felt like I learned some pretty basic stuff about jazz (how to listen), black figures in classical music, and how to read art (whether sung or materially crafted). In those moments, worlds opened up. I don’t want to overstate the case by saying that the earth moved. However, the tectonic plates of knowledge I have (which tend to move slowly) quaked and changed the terrain of my knowledge… just a bit. (Girl, thanks, for real!)

C’mon, now. THAT has to convince you to watch. For other recordings from the Black Portraiture{s} II conference, please visit the Black Portraitures website.

My next post will feature photos from BLACKNESS IN THE PUBLIC SPHERE: A DARK ROOM ROUNDTABLE at Black Portraitures II.

Even if you don’t have a full hour (and twelve minutes), here is a two-minute video of Imani singing from my perspective on the stage. I had to follow Imani Uzuris singing performance, so it took me a moment to gather myself.  She’s amazing. Enjoy!

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