Black Portraitures II Conference in Florence, Italy provided the beautiful surroundings, amazing fellowship and excellent scholarship that made for a perfect formula for BLACK GIRL MAGIC. You’ve seen this hashtag: #BlackGirlMagic. You may have also come across #CarefreeBlackGirl (In fact, I think I’m raising one):
These hashtags have come to mean much more in the last year. The #SayHerName movement encourages us all to remember the cis and trans black women who have been killed during altercations with the police or while in police custody, especially in the wake of the possible suicide of Sandra Bland while in a jail cell in Texas. We need to recognize women cross the country who continue to work within social, cultural, political and academic programs, movements, and institutions in order to advance black people across the country and around the world. This is my small tribute to those women I met or reunited with in Florence.
Deborah Willis was the driving force behind the Black Portraitures II conference along with a hardworking team of collaborators from New York University, Harvard University, the Studio Museum in Harlem, among others. Dr. Willis is University Professor and Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University. Dr. Willis has worked throughout her entire career to highlight and celebrate the creativity, talent, and beauty of African Americans, primarily (though not exclusively) in photography. Because of her and the wonderful conference staff members, BLACK GIRL MAGIC was palpable throughout our time in Florence.
As a photographer, curator, historian and documentarian, her commitment to the arts is unequal to most academics today. Her numerous books include Posing Beauty: African American Images from the 1890s to the Present; Out [o] Fashion Photography: Embracing Beauty; Reflections in Black: A History of Black Photographers – 1840 to the Present; Let Your Motto be Resistance – African American Portraits; Family History Memory: Photographs by Deborah Willis; VANDERZEE: The Portraits of James VanDerZee; and co-author of The Black Female Body A Photographic History with Carla Williams; Envisioning Emancipation: Black Americans and the End of Slavery with Barbara Krauthamer; and Michelle Obama: The First Lady in Photographs (both titles a NAACP Image Award Winner). Most recently, inspired by Deborah Willis’s book Reflections in Black, Thomas Allen Harris’s film Through a Lens Darkly premiered at Sundance in 2014 (and is now available on Netflix).
THANK YOU, Deborah Willis, for bringing us together so that we can continue to do “the work.” You’re an incomparable mentor and inspiration to so many of us.
There were too many wonderful scholars, artists, students, and art aficionados on hand to name them all (there was so much fangirling going on). I was particularly thrilled to meet Chirlane McCray, New York City’s First Lady (and Wellesley College grad ’76), Spelman College’s new president and art historian, Dr. Mary Schmidt Campbell, art historian and curator Dr. Kellie Jones, feminist scholar Michele Wallace, and writer Michaela Angela Davis. All of my Dark Room Faculty Seminar sisters made the time spent there that much more enjoyable, of course. And there were so many magical moments…
We occasionally owned the streets of Florence. Right, Jasmine E. Johnson?!
We got to “whip our hair back and forth” when we needed to (Autumn Womack!):
We also learned that magic can exist anywhere, even in a hair pick (Thanks, Ebony Coletu!)
Ultimately, all we needed to do was just stand around and see all of the beauty, talent, and intelligence that inhabited the spaces of the Odeon Theater and Villa La Pietra in Florence. As a result, WE WERE ALL BLACK PORTRAITS worthy to behold.