The Graduate Consortium of Women’s Studies series “Feminisms Unbound” continues at MIT on February 11 featuring members of The Dark Room: Race and Visual Culture Faculty Seminar: Irene Mata (Wellesley College), Sandy Alexandre (MIT), Marcia Chatelain (Georgetown University), and moderator/co-organizer Kimberly Juanita Brown (Brown University). I’ll talk specifically about Kara Walker’s A Subtlety, the sugar installation at the Domino Factory in Brooklyn from last summer. Join us!
In the intellectual tributary that is critical race theory, all is connected. Whether the task is elucidating the gendered trajectory of imperialism and violence in the United States, examining indigenous art forms in Latin America, or probing the interstices of Caribbean cultural production in the 20th century, critical race theorists have always engaged the world of the visual. Bringing together scholars invested in the work of critical race studies as visual culture offers a unique vantage point through which to imagine the future of visual culture studies. The Dark Room is an interdisciplinary working group of scholars interested in theories of visuality and theories of racial formation. In this roundtable each feminist scholar will select an image and interpret it in relation to its archive.